I received a digital copy of this book from the publisher, through Netgalley, in exchange for an honest review.





Sometimes I read a ‘classic’ author and I wonder why the heck anyone thinks it’s still worth reading, and other times I will read a ‘classic’ author and realize that the author is still relevant and accessible and well worth reading. This collection of early short stories by F. Scott Fitzgerald fits comfortably in the latter category.
Oddly enough, I’m not a huge fan of Fitzgerald’s novels, but I’ve long admired his short works. I feel as though his short fiction really captures the era – the jazz age (coined by Fitzgerald) – better than any other author of the time. I see it in the characters who always seem to be on the verge of crossing from innocence to experience within the confines of the stories.
Sometimes this transformation is not too subtle (remember, these are Fitzgerald’s early short stories) as in the first story “Babes in the Woods” – the second section of which opens with “Isabelle and Kenneth were distinctly not innocent, nor were they particularly hardened.”
Consider also ‘Omar’ (not the young man’s name, but …”I just call you Omar because you remind me of a smoked cigarette”) who has fallen in love with Marcia Meadow and says, “Every person I’ve met on the streets since I met you has made me jealous because they knew what love was before I did.”
I also noticed twice Fitzgerald describes the discovery of kisses – “kisses that were not a promise but a fulfillment” and “kisses that were like charity, creating want by holding back nothing at all” – which also seem to describe that moment of a characters step into a new stage of life.
My favorite story here was “The Camel’s Back” (from 1920) in which Perry Parkhurst decides that his long-time engagement to Betty Medill has gone on long enough so he presents her with an ultimatum: get married immediately or part ways. They do part ways, which sends Perry into a funk and he retreats to alcohol. Where does the camel’s back come in? You’ll have tor read the story.
Some of these stories are clearly not as polished as Fitzgerald’s later works, but that’s part of the charm in reading them, knowing that these are early works from a master.
I highly recommend this collection.
Included in the book:
“Babes in the Woods”
“The Pierian Springs and the Last Straw”
“Sentiment—And the Use of Rouge”
“The Spire and the Gargoyle”
“Benediction”
“The Camel’s Back”
“The Cut-Glass Bowl”
“Dalyrimple Goes Wrong”
“The Four Fists”
“Head and Shoulders”
“The Lees of Happiness”
“The Smilers”
“Jemina, the Mountain Girl”
“Tarquin of Cheapside”
“The Curious Case of Benjamin Button”
“Winter Dreams”
Looking for a good book? The Early Short Stories of F. Scott Fitzgerald is a wonderful collection of short fiction by a master story-teller.
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The Early Short Stories of F. Scott Fitzgerald
author: F. Scott Fitzgerald
publisher: Dover Publications
ISBN: 9780486794655
paperback, 256 pages
This is a story of Nik, an art student, and his girlfriend Jennifer, a dancer. Like many eccentric artists, Nik is obsessive – especially when it comes to painting his dancer girlfriend. On the day Jennifer goes missing, Nik’s world falls apart.
With few clues to Jennifer’s past, Nik begins a cross-country trip to find her and encounters a Dickensian cast of characters and a little Truth about Jennifer, himself, and love along the way.
My first reaction was – this was a fast read! I’m not sure if that’s a good reaction or not, but at least it wasn’t a slow, dragging read.
My second reaction was – I enjoyed this. Author Suzanne Alyssa Andrew’s writing is crisp and gentle and her language just pulls a reader in.
Although Nik and Jennifer are the focus of the story, the book is told from the point of view of the people Nik meets on his journey. Thus, the ‘circle of stones’ are the people we meet.
This is a ‘concept’ book and I generally don’t like concept novels where the unique form is more important to the story, but Andrew keeps the story in focus. Still, there is something almost uncomfortable about this concept. We’re getting the story from minor characters who come in for a moment, seem important because of what they have to share, but then they’re gone. There becomes too many characters for such a tight story.
While I enjoyed the book and found it a quick read, ultimately it was a bit unsatisfying. I might normally suggest that this is a good beach read, but because of the rotating character/narrators it needs more attention than what a beach read usually gets. Perhaps this makes a good fireplace read.
Looking for a good book? Circle of Stones by Suzanne Alyssa Andrew is a well-written book but the unusual narrative format makes it just a little harder to recommend.
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Circle of Stones
author: Suzanne Alyssa Andrew
publisher: Dundurn
ISBN: 145972934X
paperback, 272 pages
Ellen Cooney’s Thanksgiving follows one family through 350 years of Thanksgiving preparations. One family, one house, one room, one meal. Cooney’s book connects generations, shares family joys and sorrows and as family items and heirlooms are handed down and sometimes lost, reminds us what is important in life.
This is an unusual book as it’s part fiction, part historical reflection. In today’s parlance we might call this “historical fiction” but many scholars today still can’t agree on how to classify this book.
It is 1665 and we follow one man, “H.F.,” as he explores the devastating bubonic plague, also know as the Black Death, and its effects on families and communities throughout London.
Defoe does a remarkable job at making this personal and bringing the reader right to the door of plague victims and neighbors of victims – those living in fear of catching the plague. We meet a wide arrange of people, giving us a snapshot of all the different fears and reactions during this dark experience.
Defoe wrote the book in 1722, likely based on actual journal accounts, such as that of Samuel Pepys, but his narrative makes this easier to read than true journals.
There is a little bit of humor here (or at least I found a couple of the encounters a little humorous), but overall this is a bleak story – as one would expect.
What really struck me were the counts. The local parishes post the weekly burials:
The weekly bill, which makes out this decrease of the burials in the west and north side of the city, stands thus—
From the 12th of September to the 19th—
– St Giles, Cripplegate 456
– St Giles-in-the-Fields 140
– Clarkenwell 77
– St Sepulcher 214
– St Leonard, Shoreditch 183
– Stepney parish 71
– Aldgate 623
– Whitechappel 532
– In the ninety-seven parishes within the walls 1493
– In the eight parishes on Southwark side 1636
– ——
– Total 6060
What strikes me, aside from the numbers, is the fact that today I check the daily reports of the number of people infected with the COVID-19 corona virus as well as the number of people who’ve died, daily, from the virus.
Readers will also note other similarities to today’s pandemic reactions. From those who don’t take it seriously, those who take advantage of the situation, those who are overwhelmed with fear, and those overwhelmed with grief. Essentially … humans haven’t changed much in 300 years.
The narrative style is just a little difficult to read (as many works of literature, 300 years old, are difficult, I find), but the story definitely resonates given our current pandemic.
Looking for a good book? A Journal of the Plague Year by Daniel Defoe reminds us that humans haven’t changed much over the course of centuries, and that nature, by way of plagues and viruses, is relentless and unforgiving.
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A Journal of the Plague Year
author: Daniel Defoe
publisher: Open Road Media
ASIN: B07B678VJ2
Kindle Edition, 184 pages
Back sometime in the late 1980′ or early 1990’s, when I was working in a bookstore, I remember publishers trying out a ‘new’ trend, releasing very thin paperback books – novelettes and novellas really – usually older works by noted authors. The idea was that with the quickly rising costs of printing books, this was an affordable way for readers to connect with their favorite authors. The idea did not catch on. (Some of those books were so thin it was hard to understand how they could get a perfect binding.)
But as almost any self-published author today will tell you, selling a novelette or novella in digital format is not only easy, it makes a lot of sense. People will often shell out a dollar or two for a quick read. And now that the publishers are getting back on board with this, publishing a recognizable and renowned author’s short works for a $1, I suspect that the market might just explode.
The only problem here, however, is that publishers are taking old works, easily found in a collection elsewhere, and trying to get us to buy them again. Will we do it? I guess it depends on how much you want to reread that story and would rather just put it on a Kindle for a dollar rather than search your bookshelf or your library for the same story. It so happens that I really like Anne Tyler and I’d but this for a buck.
Tyler writes brilliantly about ordinary people and ordinary tragedies. “Teenage Wasteland” is one of those ordinary tragedies.
Daisy Coble tries to be a good mother. She only wants what’s best for her son, but she’s not equipped with the life skills to provide. She’s distraught when she learns that Donny is misbehaving at school, and she is sick with grief that she has failed as a parent.
Doing the best she can, she hires a tutor for Donny, though the tutor has some unusual ideas on how to help the boy, and the gap between mother and son widens until it is too much of a chasm to bridge.
This is not a feel-good story. This is a tragedy and reading a short story that isn’t necessarily positive (I think there are some positive aspects here) is difficult for a lot people.
One of the bigger issues with the story is actually that it leaves the reader with so many questions. I don’t mind some questions when I finish a book or a story, but this little slice of Daisy and Donny’s lives with so many unanswered questions, and a lost and bewildered Daisy that it’s hard to understand what benefit there was to reading this.
This is the sort of book or story that needs to be read in a classroom or a book club so that people can talk about it. The story begs discussion.
Looking for a good book? If you don’t belong to a group that talks about books, you might want to skip Anne Tyler’s “Teenage Wasteland.” But if you do have a reader’s group, consider giving this a read.
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“Teenage Wasteland”
author: Anny Tyler
publisher: Vintage
ASIN: B08H19LY7X
Kindle Edition, 18 pages
A small town is rocked by a bank robbery when the robber runs to a nearby apartment viewing and holds the group of people gathered hostage and then disappears in thin air even as the police and media vans surround the apartment. The local police department brings all those who had been in the apartment at the time in for questioning to try and understand how the bank robber escaped.
But as the leading police investigators meet with the former hostages they run into a little problem – the witnesses are no help. Some seem to have a grudge with the police. Some are more concerned with appearances. And some border on being absolute idiots.
Slowly, these people come to realize that their lives have intersected in an unusual way and they begin to open up to one another. And the police leading the investigation, who happen to be father and son, come to realize a few things – not just about the bank robber or the lives of these anxious, ordinary people, but about one another as well.
Like many, I am a Fredrik Backman fan, so I was very eager to read this.
One of the first things that strikes me is that this seems much different from most of the books I’ve read by Backman before. The humor, almost slapstick at times, with our two policemen like Keystone Cops, is almost over the top. We run in to idiot after idiot in the police interview room, and I must say that there were times I thought Backman went too far. The lunacy had gone a little bit beyond what I was willing to accept as standard behavior.
But Backman is a master storyteller and I should know enough to trust that he’s setting us up. There is a purpose for all of this, and he will get to it.
It’s ridiculous, and touching, and there are more than a few surprises in store for the reader.
One of the things I find most interesting is that there’s almost no central character here. It could be the bank robber, but we don’t really know much about this person until much later in the book. It could be the father police officer who does play an important role in the story but it’s not really his story being told. Maybe it’s the police officer son? Or the real estate agent who led the apartment viewing? Or maybe … No. It’s everybody’s story, merged at the intersection of a bank robbery gone wrong.
Let me diverge for just a moment … for a little over a decade I worked for a Shakespeare Festival and one of the things the directors would talk about was the reason Shakespeare remained so popular was because he wrote so well about what it was to be human. From his histories, to his comedies, to his dark tragedies, Shakespeare relayed what it meant to be human better than anyone else.
I bring this up, because I think Backman is our present-day Shakespeare. He’s now shown a variety of styles – humor to tragedy – and I can’t think of any living writer who does a better job relaying the complex human experience to readers. Even our hostages – who we think are nothing but a group of idiots – come to show us a tremendous giving spirit, as do our Keystone Cops.
The book is fun, funny, and quite moving. I did think that the process of the interviews with our goofball hostages went on a little too long without much variety and there were moments that I grew bored with the book while reading it. Though upon reflection, I’ve come to understand it better.
This, like all of Backman’s books, is highly recommended.
Looking for a good book? Read Anxious People by Fredrik Backman – you won’t be disappointed.
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Anxious People
author: Fredrik Backman
publisher: Atria Books
ISBN: 1501160834
hardcover, 352 pages
It is interesting for me that I just purchased a set of Sigrid Undet’s Kristin Lavransdatter series because it looked very interesting to me. And shortly after doing so, I find out that translator extraordinaire Tiina Nunnally has translated a different series by Undest. My ancestors are Scandinavian (Swedish, Norwegian, Danish) and I’ve been doing a lot of ancestry research lately, so literature that gives me a feel for life in medieval Scandinavian has a special appeal for me.
Olav Audunssøn’s father is dying and the father asks his old friend, Steinfinn Toressøn, to raise his boy when he passes on. Steinfinn agrees to raise the child as his foster son and also promises that Olav will be betrothed to Steinfinn’s daughter, Ingunn. Olav and Ingunn then spend their youth as both siblings, knowing they will be husband and wife as they get older.
But Olav and Ingunn couldn’t be much more different from one another and the medieval time in which they live is turbulent as church rules and law clash. There are some in the community who don’t believe they are legally married but for Olav and Ingunn all that matters is that they’ve been intimate and they believe they are married.
But when Steinfinn passes away, Olav and Ingunn travel to the city of Hamar to ask the church to bless their union. The Church, however, is trying to enforce more control over religious behavior and makes this difficult.
Olav does some traveling and is gone for a decade and Ingunn combats her loneliness by being extra friendly with a young man who works for a local priest. This has Ingunn and Olav examining their relationship upon his return.
Undset’s writing, and Nunnally’s translation, is beautiful and extremely accessible. We get drawn in to the story by the language, we are held in the story by the remarkable characters who are ordinary and real and fascinating.
In many ways this reminds us that everyone has a story to tell. You don’t need to be a superhero or the leader of a rebels in a dystopian world to be worth reading about. You can be a young couple in medieval Norway, looking to find your own way and dealing with the changes going on in the world and have a story worth sharing.
But there’s so much going on here. In addition to the story of these two people, we are getting a story about a country going through a religious revolution and a Church finding itself in a position to influence its beliefs into a government, through the people. The title “Vows” is incredibly apt here, telling not only of the vows people make to each other, but the religious significance of vows.
I enjoyed this and am eager to dig into the Kristin Lavransdatter series but will wait until I’ve read the rest of the books in the Olav Audunssøn series.
Looking for a good book? Olav Audunssøn: I. Vows by Sigrid Undset and translated by Tiina Nunnally is a book you don’t just read, but experience, and this is well worth experiencing.
I received a digital copy of this book from the publisher, through Netgalley, in exchange for an honest review.
* * * * * *
Olav Audunssøn: I. Vows
author: Sigrid Undset
translator: Tiina Nunnally
publisher: Univ of Minnesota Press
ISBN: 151791048X
paperback, 336 pages
Sandy Duplessis was living a good life. He was living in Los Angeles and working as a screenwriter. His writing partner is his old college friend Peter Todbaum, and the charismatic Todbaum has become a king on the Hollywood scene – everyone listens to him and wants a piece of his action. When Sandy’s sister Maddy comes to town, Todbaum finds himself quite attracted to her.
Then came the ‘Arrest’ when everything just stops and only those able to adapt successfully move on. Duplessis, now called Journeyman, finds himself in Maine, farming with his sister when Todbaum shows up in a nuclear-powered tunnel-digging machine. He’s still charismatic and still scheming to stay at the top of a now-dead Hollywood scene. Is Journeyman the only force on earth who can keep Todbaum under control?
My first couple of chapters into this book and I was almost giddy with excitement at reading something very different. This is science fiction on par with Kurt Vonnegut and Margaret Atwood … authors we don’t normally classify as sci-fi writers, though we probably should.
But my giddiness turned to boredom somewhere about a quarter or a third of the way in.
There’s a lot of observation and a lot of reflection on the part of Journeyman, and very little action taken on that observation.
The story is post-apocalyptic and dystopian … and at the same time, it isn’t. The Arrest, and the causes of the Arrest, are never really discussed. What’s important is only that it happened. It’s more about setting a bleak landscape for Journeyman to observe from than it is about a world devastated and what is happening in it.
I knew nothing about author Jonathan Lethem prior to this, but when I read the description of the book, I was highly interested in reading this, but the deeper I got into the book, the less interest I had.
Looking for a good book? The Arrest by Jonathan Lethem is slow, passive sci-fi, which may appeal to some, but became less interesting the further I read.
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The Arrest
author: Jonathan Lethem
publisher: Ecco
ISBN: 0062938789
hardcover, 320 pages
If you are like me, when someone says “mermaid” images of Ariel from Disney’s The Littlest Mermaid film, or Daryl Hannah from the film Splash come to mind. Though lately the other image might be a creature looking half human, half fish, with piranha-like teeth – from Mira Grant’s excellent book Into the Drowning Deep. But if you are expecting a collection of these sorts of mermaids, you will be sadly disappointed.
Editors Cristina Bacchilega and Marie Alohalani Brown have gathered mermaid stories and legends from all over the world. The term ‘mermaid,’ however, is quite loosely defined for the purposes of gathering the stories for this book. Any human-like creature that lives primarily in the water is acceptable here.
It did take me awhile to get used to this concept that the idea of a ‘mermaid’ could be so drastically different from culture to culture. For instance, this book contains a tale from the Passamaquoddy tradition, here titled “Of the Woman Who Loved a Serpent Who Lived in a Lake” in which the ‘mermaid’ is more snake than fish, and male. It’s an odd tale as the woman who interacts with the serpent/mer-being is a vessel for the serpent’s poison, transferring it to her husband’s (multiple, as they die shortly after being with her). My note from the reading is simply: “Mermaid?”
I enjoyed this collection quite a bit, and I enjoyed expanding my knowledge of the mermaid concept, but at the same time, I can’t say that this was overwhelmingly ‘good.’ Only one story/legend stood out for me: “Julnar the Mermaid and Her Son Badar Basim of Persia.” Wait … does this sound familiar? It should … it’s more commonly known as “Julnar the Sea-Born and Her Son Kind Badr Basim of Persia” and it’s the 23rd chapter from Tales from the Arabian Nights.
This is actually one of the things I really appreciated about this book … the research of so many different sources for mermaid/sea-creature stories. I also learned a few things (“Ningyo, the Japanese word for mermaid, has no gender.”) and it did occur to me that the purpose to read a collection like this is not so much for ‘pleasure’ but for knowledge or perspective or cultural significance or social significance (which is not to say some of us don’t take great pleasure in expanding our knowledge or perspective or …).
Looking for a good book? If you are willing to expand your horizons and your concept of what a mermaid is, you should give The Penguin Book of Mermaids (edited by Cristina Bacchilega and Marie Alohalani Brown) a read. But don’t expect too many stories that project a Daryl Hannah style creature.
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The Penguin Book of Mermaids
editors: Cristina Bacchilega and Marie Alohalani Brown
publisher: Penguin Books
ISBN: 0143133721
paperback, 368 pages
Thank you, Doug Engstrom! Corporate Gunslinger is a tremendously unique, remarkable literary experience.
Kira Clark is an aspiring actress. She has financed her education through loans. And with acting being what it is, she borrowed just to pay rent or to pay the premium on her school loans. with debt compounding, Kira faces a grim reality. Her loans were secured with a ‘lifetime services contract’ – meaning if she defaults, the bank will control every aspect of her life. With her debt now out of control and no means to pay it back, Kira resorts to the only option left open to her … she becomes a corporate gunfighter.
In this world – not so much a future world, but an alternate reality (and sadly not so far-fetched) from our own – there is no Judge Judy or small claims court, filled with lawyers trying to make deals so that they can claim a share of the payout. no, the final legal recourse is a duel, old west style.
After a solid year of training, Kira goes to work for TKC Insurance. Anyone challenging a claim against TKC Insurance – if they decide not to payout for instance – the legal recourse is to fight a one-against-one gunfight duel against the insurance company’s representative.
How it works is that the two fighters go into a single changing area to prepare for the fight. If either does not come out of the changing room and onto the dueling field by a specified time, the duel is forfeited and the standing fighter on the field is declared winner. If both face off, the last fighter standing is declared winner. The duel is generally skewed toward the insurance companies, of course, since they have trained and prepared their agents.
Kira quickly rises up the ranks of successful duelists, though admittedly in large part by psyching out her opponents who will often not even show up to the field. But even in an actual duel, the safest way to ensure a win is to score a kill shot, guaranteeing that the opponent goes down. But killing people, even though it’s legal, it’s her job, and those people always have an out, takes its toll on Kira. Unfortunately, her debt is deep and she’ll be doing this a long time, or until someone kills her.
How do I describe to you how utterly fantastic this is? The commentary on our culture is so spot on. We are a nation obsessed with greed and with violence (just note the rise in interest in MMA-style fighting). How far-fetched is it, really, that those in control of both (greed and violence) combine them? We’ve done it before (the gladiator games of ancient Rome) so it seems likely that it’s only a matter of time before we do something similar again.
Regular readers of my reviews will know that I often talk about how much I prefer character-driven stories, and while I’ve extolled on this concept, the character of Kira is just great. She sees her role as a gunslinger as just an act – a part to play, just like any other she might, using her theatre training. But some of her kills get under the facade and she questions what she does.
Kira’s professional ‘Second,’ Diana Reynolds – who personally trained Kira and saw something unique in her – is a wonderful balance for Kira, both in the story as a character, as well as for the reader to not constantly have Kira’s personality at the forefront.
While I am a male and my viewpoint is clearly skewed, I thought that these three leading female characters (Kira’s closest friend is Chloe) were written with warmth, strength, and integrity. It takes some courage for a male author to decide that his three central figures will be female and Engstrom handles with grace.
Finally, it certainly helped my enjoyment of the book that this is set primarily in the U.S. Midwest and I could recognize the basic landscape.
Looking for a good book? Corporate Gunslinger by Doug Engstrom is a powerful, well-written tale. The copywriter for the book cover lays it out perfectly: “Greed means debt means violence.”
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Corporate Gunslinger
author: Doug Engstrom
publisher: Harper Voyager
ISBN: 0062897683
paperback, 320 pages
In this prequel to Bram Stoker’s Dracula, co-written by Bram Stoker’s great-grand-nephew, Dacre Stoker, and J.D. Barker, the authors not only give us a little background on Dracula the vampire, but they make Bram Stoker a major character along the way. And according to the advertising copy, this is “inspired by notes and texts left behind by (Bram Stoker).”
Bram was a sickly child since birth. He and his sister, Matilda, had a nanny by the name of Ellen Crone (‘Nanna Ellen’). “The peculiarities of Ellen Crone. That is, of course, where I should start, for this is as much her story as it is mine, perhaps more so. This woman, this monster, this wraith, this friend, this … being,” writes Bram – the opening lines of his journal in the first chapter. But I might disagree, because this is very much Bram’s story, though Nanna Ellen plays a major role in developing Bram’s interest in the vampire story.
The Stoker’s – a family of some means – bring a doctor in to see if he can help the sickly young Bram, but to little success. When the nanny, Ellen Crone, looks after Bram (and his sister), the young boy has a normal youth’s energy. The siblings notice strange behavior on Ellen’s part. For instance, sometimes Nanna Ellen looks quite young, but then days later, maybe a week or so at the most, she appears quite old.
Then one day, Ellen just disappears. It is years later, when Matilda is studying in Paris, that she sees Ellen – who appears not to have aged – and she reports this to Bram, which sets off his hunt for answers.
Like the original Dracula novel, this is told through multiple forms, including Bram’s journals (told in first person), and a “today” narrative (told in third person).
This changing of perspectives threw me for a loop at first. Reading in one narrative and then switching just feels awkward. But the more I got into this book, the more I actually appreciated this change as it reminded when the narrative was taking place.
While I’ve been a fan of the Dracula/vampire theme since I was in middle school, I was a little hesitant to request and read this. Having a distant relative of Bram Stoker listed as co-author seemed like such a gimmick and I wondered how good the book could actually be. Fortunately, the writing is sharp and quite reminiscent of Dracula in its Gothic horror sort of way, but with enough modern edge to the writing to keep today’s readers engaged.
I’m no Dracula scholar, but I did pick up on a few nods to the original book throughout.
I definitely enjoyed this more than I thought I would (maybe that’s partly because I recently read a terrible ‘vampire’ novel), and I believe that even if I didn’t already have a strong interest in the Dracula/vampire concept, this is precisely the sort of horror/dark fantasy novel I would enjoy.
Looking for a good book? Dracul, by Dacre Stoker and J.D. Barker is a prequel to Bram Stoker’s Dracula, with Bram himself as the leading character, and it is well worth reading.
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Dracul
authors: Dacre Stoker and J. D. Barker
series: Stoker’s Dracula #1
publisher: G.P. Putnam’s Sons
ISBN: 0735219346
hardcover, 497 pages
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